18SS + MVHS = ♫

We have our email address listed on our website, so it’s probably not too surprising to hear we get a lot of email. While most of them come from relatives of deposed dictators requesting our banking information, every once in a while a message comes through that makes sifting through special offers for herbal supplements worth it. This particular story starts with one such email we received last fall from Brett Taylor in Orem, UT.

Brett is better known as Mr. Taylor to the teenage population of Orem, where he directs the choirs at Mountain View High School. It’s fair to say that MVHS likes to sing: nearly 25% of the students there sing in one of the six choirs Brett conducts. The top choirs get to head out on tour during spring break, and this year they came to Washington, D.C. Their itinerary included some pretty cool stops, like a performance at Mount Vernon and a tour of the White House, but Brett also wanted to connect with a group in DC’s thriving choral scene.

So out of all the choirs in DC, why did Brett reach out to us? As it turns out, Brett had used our recording of Windham by Daniel Read as an example for his choirs on how to sing early American music! Needless to say, this was a connection we had to make.

The MVHS choirs showed up at our home base, First Trinity Lutheran Church, on a Friday night in April. In true choir tour form, all 150 of them in matching bright red t-shirts. It was actually a perfect fashion choice: it was the same night as a Capitals game at the Verizon Center just a few blocks away, so they fit right in with the hockey fans.


The evening started off with both Brett and our director Ben leading a few warmups. We tend to come back to our favorite many times throughout a season, so it was fun to learn a few more to add to our rotation.

Two of the MVHS groups performed first, and boy could they sing. They didn’t choose simple music either; selections included Rheinberger’s Abendlied, an arrangement of one of 18SS’ favorite spirituals Deep River, Pentatonix’s original song Run To You, and the classic American tune Down in the River to Pray. Justin, our resident German scholar, gave them a few pointers on their pronunciation in the Rheinberger, but their singing earned universal praise. Their accompanist did appreciate the note that you should look joyful while you’re singing!

We then took the stage, singing a somewhat ironic pair of songs that we will perform at our 10th Anniversary Concert on June 20. Why ironic? Sleep by Eric Whitacre was followed by I Do Not Sleep by our own Jess Yeatermeyer. No offense to Eric, but I Do Not Sleep was the crowd favorite. A group of MVHS students found Jess at the end of the night to get the sheet music, and they performed it last week at their final concert of the school year!

MVHS’ third and largest choir performed last, singing Victoria’s double choir dynamo Laudate Dominum omnes gentes. Renaissance polyphony this dense usually comes with the warning ”Don’t Try This At Home”, but these kids absolutely nailed it. Crisp rhythms, interplay between the choirs, totally synchronized cadences - they had it all.

We wrapped up the night by combining forces and teaching all of MVHS’ singers the South African carol Hloholonofatsa. They caught on quick, and it was a truly joyous way to end this incredible event.

It was a true pleasure to share our music and story with such a talented group of high school students. The founding members of the 18th Street Singers weren’t all that much older than our visitors when they first started singing together ten years ago. Hopefully we demonstrated to the choirs of MVHS that you can keep making high-quality music with your friends after graduating from school, and that starting your own choir is the perfect way to do it!

This post was written by the 18th Street Singers managing director, Henry Clapp

The New Yorkers Invade

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Like (I assume) the majority of you reading this post, I am a wholehearted, certified, 100% choir nerd. And for us self-professed, dedicated dweebs, nothing rivals choir tour. Not only do these trips allow you to show off your latest musical tips and tricks to a fresh audience, but you also get to “bond” (*party*) with your choir BFFs. Think “Pitch Perfect,” but dorkier. And then think dorkier than that.

Fun and games aside, there’s something profoundly special that inevitably appears during tour, and that’s why I was beyond excited when the Young New Yorkers’ Chorus (YNYC) made the decision to embark on the adventure this year. Like our fantastic DC hosts the 18th Street Singers (ed: aw shucks), we’re a volunteer choir made up young professionals; amazing, exciting people including full-time musicians, computer whizzes, wolves of Wall Street, teachers, students, and more. These members already give a great deal of themselves to the choir, so their desire to commit further time and energy to the ensemble demonstrates their love of the music and the group. The theme for our 2013-14 New York season has been RE (our winter concert was RE/Mix, a selection of classic Christmas songs done in new ways by our young composer friends), and sticking with that, I think there are a range of RE words that capture our thoughts behind this tour:

- REset: Tour always serves as a great way to get your bearings. As an ensemble, you’re able to put so much focus into your traveling repertoire, and since we're hoping to REcord a CD within the next year, having an opportunity to reset ourselves and approach all our music with renewed dedication is an invaluable one.

- REinvent: Another benefit of tour is the exposure you get to the rest of the ensemble. YNYC is already a tight-knit group, but spending a nonstop weekend together is bound to increase that connection even further. This deeper level of friendship allows you to transform and reinvent your music-making because you’re so in tune with your fellow singers. We also can’t wait to hear the incredible 18th Street Singers, and I know that their musical mastery will inspire us to reinvent parts of our music, too.

- REsonate: Perhaps most of all, we’re thrilled at the prospect of sharing our music with a new audience and seeing what resonates with them. The beauty of music is its ability to touch every person and place differently, and we can’t wait to see what DC has to offer us.

This invader guest post was written by Young New Yorkers’ Chorus marketing/social media manager and parallel-universe-Mike-Rowan Lucy Mathias.


P.S. What’s this DC performance that Lucy speaks of? Well, since you asked, here are the deets:


The Young & the Freshest: Young New Yorkers’ Chorus + 18th Street Singers
Saturday, March 8 | 7:30 PM
The Church of the Ascension and Saint Agnes
1217 Massachusetts Ave NW
Washington, DC 20005


Tickets: $12 advance | $15 door

Click here to buy

Progressive Singers

Yah der hey! Recently the singers and some friends got together for a progressive party to kick off our Spring 2013 season. Last year, a progressively awesome party with an Oscars theme culminated with a contest and the awarding of a treasured plastic gold Oscar. This year’s theme: states of the union.


First stop - Michigan, hosted by Michigander Mike Rowan. Mike provided attendees with such Michigan delicacies as Dominos Pizza, Kellogg’s cereal, and Jiffy corn bread. This was a very informative stop, as we learned (thanks to smartphone trivia) that Michigan is one of the country’s largest cherry producers, and their state animal is the painted turtle. Mike always had us convinced that it was a wolverine. Sorry, mom, I’m not referring to Hugh Jackman. Down girl! 

Even a geography lesson was included.



We didn’t have to travel far physically or geographically for our second stop, Wisconsin. In addition to cheese, brats, and beer, Sarah Koch supplied every partygoer with a Wisconsin-themed t-shirt or hat from her extensive collection. From one of the shirts, we learned that Yah der hay is “Scansin” for agreement, similar to “ya know hey,” and it became a rallying cry for the evening. I am still staggered by vastness of the Wisconsin-inspired wardrobe, though Sarah wisely made sure that no one absconded from “Scansin” with her gear. 

Get to know your local sayings.



Stop the third was Pennsylvania, or more accurately, Western PA, hosted by Kristen Kampetis. Kristen plied us with black and yellow cupcakes, pierogis, homemade tiropitas from her Greek family’s recipe, blow pops, and jello shots. While none of these things are indigenous to Pennsylvania, Kristen and Yuengling are—as well as the Terrible Towel that adorned living room. To be fair, they do speak to the cultural fabric of the Pittsburgh area, underscored by Wiz Khalifa’s beats.

Representing PA in audio form



The penultimate stop captured the glamour of Hollywood. Benjamin Wallace, California native, rolled out the red carpet for us and sported movie-themed decorations. As his excellent California playlist provided the soundtrack, we imbibed sparkling wine, grasshoppers, and margaritas, which further confused the issue of how we did not know that Machu Picchu, Jaipur, and Petra are all in California…

“Yeah, it’s just east of San Diego.”



The last stop was an eerie setting of Rhode Island at the domicile of musical director and spiritual guru, Ben Olinsky. Ben paid homage both to the nefarious Mafia presence in his home “state” and the more heartwarming television show Family Guy (set in the fictional Quahog, RI). I use quotes because I’m still not convinced that a parcel of land that small can presume to be anything grander than a county. In true Singers’ style, we closed down the evening with some calisthenics (aka dance party) and thea cappella equivalent of Kumbaya - piano-accompanied versions of “Don’t Stop Believin’” and Leonard Cohen’s “Hallelujah.” [Sneak preview: the Singers will be performing “Hallelujah,” famously covered by John Cale, Jeff Buckley, and Rufus Wainwright, this upcoming season, thanks to a wonderful arrangement by tenor James Athey.]

An 18SS progressive party always ends with regression…to this.



Thanks to all of the hosts for a lovely evening. As a t-shirt once told me, “I laughed so hard the tears ran down my leg.” 

This post was written by our local facial hair artist and funny t-shirt specialist, tenor Dave Parker.

The best way to spread Christmas cheer…

…is singing loud for all to hear.  

With songs and holiday fun enough to make even the most determined of Grinch’s hearts grow, the 18th Street Singers took the Willard Intercontinental by storm this past Friday with an evening of carols. Just like the years before, the beautifully decked halls and donned Christmas tree of the Willard’s lobby served as the perfect backdrop for a few of our favorite traditional tunes, as well as a smattering of shameless promo numbers for our Winter concert. (January 25th and 26th at First Trinity Lutheran! Tickets on sale now!)

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As a Willard first-timer, I was stunned to an awe-filled silence at the sight of the holiday hustle and bustle throughout its already stunning halls. How does Christmas garland wind so high? How do you make a scaled gingerbread replica of the Willard? How do so many Singers fit into one little alcove?

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While the aforementioned questions will most likely remain among the mysteries of the season, this curious newbie did discover that the elaborate holiday scene is a long standing tradition at the Willard. Music has been filling the air every December evening for the last 11 years, and the famed Willard Christmas tree has given holiday guests an up close view of the entire White House Christmas Ornaments collection since 1981.

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It was clear that the fun of the holidays was with all who took in the evening, or even just a few minutes to listen and celebrate the season with us.

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In true caroling fashion, crowd participation was not only encouraged, but was required. Our fearless leader, Ben, led the fearless audience in several of the classics, and the ever-exuberant Sarah coaxed even more of the lobby to break out their keys and play the part of the bells for Jingle Bells. Together we filled the halls with the soundtrack of the most wonderful time of the year.

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This post was written by North Pole Correspondent and 18th Street Singers Librarian, Em Skow.